Adamson, G. (2007). Thinking Through Craft. Oxford: Berg Publishers.
Adamson, G. (2009). The Craft Reader. Oxford: Berg Publishers.
Adamson, G. (2013). The Invention of Craft. London: Bloomsbury Academic.
Albers, J. (2006). Interaction of Colour. Connecticut: Yale University Press.
Albright-Knox Gallery. (1989). Abstraction, Geometry, Painting: Selected Geometric Abstract Painting in America Since 1945. New York: H.N. Abrams in association with Albright-Knox Art Gallery.
Auther, E. (2009). String, Felt, Thread: The Hierarchy of Art and Craft in American Art. USA: University of Minnesota Press.
Ball, P. (2008). Bright Earth: The Invention of Colour. UK: Vintage.
Batchelor, D. (2000). Chromophobia. London: Reaktion Books.
Batchelor, D. (ed.) (2006). Colour. London: Whitechapel Art Gallery.
Bell, J. (1993). What is Painting?: Representation and Modern Art. London: Thames and Hudson.
Berger, J. (1972). Ways of Seeing. London: Penguin.
Blakesley, R. P. (2009). The Arts and Craft Movement. London: Phaidon.
Bouma, P.J. (1971). Physical Aspects of Colour: An Introduction to the Scientific Study of Colour Stimuli and Colour Sensations. London: Macmillan.
Bourgoin, J. (1974). Arabic Geometrical Pattern and Design. New York: Dover Publications.
Bradley, W. (2003). Painting Not Painting: Jim Lambie, Victoria Morton, Julie Roberts. London: Tate Publishing.
Brandon, T. (2014). After Constructivism. Connecticut: Yale University Press.
Chadwick, W. (2012). Women, Art, and Society. 5th. London: Thames & Hudson
Chaplin, B. and Stobbs, C. (ed.) (2012) Gert & Uwe Tobias. London: Whitechapel Art Gallery.
Cheskin, L. (1951). Colours and What They Can Do. London. Blandford Pub.
Coles, A. (ed.) (2007). Design and Art. London: Whitechapel Art Gallery.
Collingwood, R.G. (1958). The Principles of Art. Oxford: Oxford University Press.
Crane, W. (1900). Line and Form. London: Bell.
Damisch, H. (2009) ‘Remarks on Abstraction’, October, 127 Winter, p. 136
Doran, S. (2013). The Culture of Yellow, OR, The Visual Politics of Late Modernity. London: Bloomsbury.
Dormer, P (1997). The Culture of Craft: Status and Future. UK: Manchester University Press.
Droste, M. (1996). Bauhaus: Bauhaus Archiv 1919-1933. Germany: Taschen.
Edwards, E.B. (1967). Pattern and Design with Dynamic Symmetry: How to Create Art Deco Geometrical Designs. New York: Dover Publications.
Ehrenzweig, A. (1993). Hidden Order of Art: A Study in the Psychology of Artistic Imagination. London: Weidenfeld.
Elinor, G., Richardson, S., Scott, S., Thomas, A. and Walker, K. (1987). Women And Craft. London: Virago Press.
Elkins, J. (2006). Art History versus Aesthetics. London: Routledge.
Fariello, A. M. and Owen, P. (2003). Objects and Meaning: New Perspectives on Art and Craft. London: Scarecrow Press.
Fauchereau, S. (1989). Kupka. Barcelona: Ediciones Poligrafa.
Finlay, V. (2003). Colour: Travels Through the Paintbox. UK: Sceptre.
Fowler, A. (2005). Elements of Abstraction: Space, Line and Interval in Modern British Art. Southampton. Southampton City Gallery.
Frank, I. (ed.) (2000). The Theory of Decorative Art: An Anthology of European and American Writings, 1750-1940. Connecticut: Yale University Press.
Frayling, C. (2011). On Craftsmanship: Towards a new Bauhaus. UK: Oberon Masters.
Gage, J. (1993). Colour and Culture: Practice and Meaning from Antiquity to Abstraction. London: Thames and Hudson.
Gage, J. (2000). Colour and Meaning: Art, Science and Symbolism. London: Thames and Hudson.
Gerstner, K. (1986). Forms of Colour: The Interaction of Visual Elements. Massachusetts: MIT Press.
Ghyka, M. (1952). Practical Handbook of Geometrical Composition and Design. London: Tiranti.
Ghyka, M. (1977). Geometry of Art and Life. New York: Dover Publications.
Gilman, C. P. (2015). The Yellow Wallpaper. London: Pengiun
Gleick, J. (1988). Chaos: Making a New Science. London. Cardinal.
Goethe, J. W. (1970). Theory of Colours. Massachusetts: MIT Press.
Gombrich, E. H. (1994). The Sense of Order: A Study in the Psychology of Decorative Art. London: Phaidon.
Gordon, B. (2013). Textiles: The Whole Story: Uses · Meanings · Significance. London: Thames & Hudson.
Greenhalgh, P. (2002). The Persistence of Craft. London: A & C Black Publishers.
Harrod, T. (1997). Obscure Objects of Desire: Reviewing the Crafts in the Twentieth Century. London: Crafts Council.
Hemmings, J. (2012). The Textile Reader. Oxford: Berg Publishers.
Ingold, T. (2013). Making: Anthropology, Archaeology, Art and Architecture. London: Routledge.
Kandinsky, W. (2000). Concerning the Spiritual in Art. New York: Dover Publications.
Kenny, R., McMillan, J. and Myrone, M. (2014). British Folk Art. London: Tate Publishing.
Kudielka, R. (ed.) (1995). Bridget Riley: Dialogues on Art. London: Philip Wilson Publishers.
Lind, M. (ed.) (2013). Abstraction. London: Whitechapel Art Gallery.
Locher, J.L. (1988). World of M.C. Escher. New York : Abradale Press/Harry N. Abrams,.
Lucie-Smith, E. (1981). Story of Craft: History of the Craftsman's Role in Society. London: Phaidon.
Merewether, C. (ed.) (2006). Archive. London: Whitechapel Art Gallery.
Müller, U. (2009). Bauhaus Women: Art . Handicraft . Design. Paris: Flammarion.
Munari, B. (1966). Discovery of the Circle. London: Tiranti.
Myers, T. (ed.) (2011). Painting. London: Whitechapel Art Gallery.
Nochlin, L. (1989). Women, Art and Power and Other Essays. London: Thames and Hudson.
Parker, R. and Pollock, G. (2013). Old Mistresses: Women, Art and Ideology. 3rd ed. London: I.B.Tauris
Pérez-Barreiro, G. and Garcia, M. A. (2014). Radical Geometry: Modern Art of South America from the Patricia Phelps De Cisneros Collection. London: Royal Academy of Arts.
Perry, G. (2011). Grayson Perry: The Tomb of the Unknown Craftsman. London: British Museum Press.
Potter, N. (2002). What is a Designer: Things, Places, Messages. London: Hyphen Press.
Reynolds, D. (1995). Symbolist Aesthetics and Early Abstract Art: Sites of Imaginary Space. Cambridge. Cambridge University Press
Riley, B. (1984). Working with Colour: Recent Paintings and Studies. UK: Arts Council of Great Britain.
Rose, B. (ed.) (1943). Art-as-Art: The Selected Writings of Ad Reinhardt. New York: Viking.
Sennett, R. (2009). The Craftsman. London: Penguin.
Shiner, L. (2001). The Invention of Art: A Cultural History. 2nd ed. USA: University of Chicago Press.
Sloane, P. (1969). Colour: Basic Principles, New Directions. London: Studio Vista.
Stewart, I. (2007). Why Beauty is Truth: A History of Symmetry. New York: Basic Books.
Taylor, B and Fowler, A. (2005). Elements of Abstraction: Space, Line and Interval in Modern British Art. Southampton: Southampton City Gallery.
Tuchman, M. (1986). Spiritual in Art: Abstract Painting 1890-1985. New York: Abbeville Press.
Weltge, S.W. (1998). Bauhaus Textiles: Women Artists and the Weaving Workshop. 2nd ed. London: Thames & Hudson.
Weyl, Herman. (1952). Symmetry. New Jersey: Princeton University Press.
Wittgenstein, L. (1992). Remarks on Colour. California: University of California Press.
Zegher, C de. (2005). 3 X Abstraction: New Methods of Drawing; Hilma Af Klint, Emma Kunz, Agnes Martin. Connecticut: Yale University Press.
Zelevansky, L. (2004). Beyond Geometry: Experiments in Form, 1940s – 70s. Massachusetts: MIT Press.
Beaven, K. (2011). Tate Debate: When is a craft an art? Available at: 9 November 2015).
Ryan, D. (2012). Ha Ha What Does This Represent? Available at: (Accessed: 9 November 2015)
Gibson, G. (2010) 'Forum: Arts and Craft - Is craft still the poor relation of art and design?', Art Quarterly, Spring, pp.20-21
Bauhaus: Art as Life (2012) [Exhibition]. Barbican Art Centre, London. 3 May – 12 August 2012
Borderline [Beyond a Rational Aesthetic] (2015) [Exhibition]. C&C Gallery, London. 21st February – 22nd March 2015.
British Folk Art (2014) [Exhibition]. Tate Britain, London. 10 June – 31 August 2014.
Chance and Order (2014) [Exhibition]. Eagle Gallery, London. 20 November 2014 – 19 December 2014.
Dale Chihuly: Beyond the Object (2014) [Exhibition]. Halcyon Gallery, London. 8 February – 21 June 2014.
Logical Conclusions [40 Years of Rule Based Art] (2005) [Exhibition]. Pace Gallery, New York. 18 February – 26 March 2005.
Lothar Götz: The Line of Beauty (2012) [Exhibition]. DomoBaal, London. 21 September 2012 – 3 November 2012.
Magnificent Obsessions: The Artist as Collector (2015) [Exhibition]. Barbican Art Centre, London. 12 February – 25 May 2015.
Making Colour (2014) [Exhibition]. National Gallery, London. 18 June – 7 September 2014.
Show 1: Ellannah Sadkin, Toums, Magnus Gjoen, Duizer (2016) [Exhibition]. BUMP Gallery, London. 30 March – 4 April 2016.
Dennis Severs House (1999) [Exhibition/House]. London
Geffrye Museum (1914) [Exhibition/House]. London
Abstract Artists in Their Own Words (2015) BBC Four Television, September 2015
The Rules of Abstraction with Matthew Collings (2015) BBC Four Television, September 2015
The Russian Revolutionary: Zaha Hadid on Kazimir Malevich (2015) BBC Four Television, September 2015
The Story of Women and Art (2014) BBC Two Television, May 2014.